GHOSTS

Ghost has been defined as the disembodied spirit or soul of a deceased person, although in popular usage the term refers only to the apparition of such a person. Often described as immaterial and partly transparent, ghosts are reported to haunt particular locations or people that they were associated with in life or at time of death.

Phantom armies, ghost-animals, ghost trains and phantom ships have also been reported.

Ghosts or similar paranormal entities appear in film, theatre, literature, myths, legends, and some religions.

Terminology

Further information: spirit, soul, anima, and genius

The English word ghost continues Old English gást, hypothetical Common Germanic *gaisto-z. It is common to West Germanic, but lacking in North and East Germanic (the equivalent word in Gothic is ahma, Old Norse has andi m., önd f.). The pre-Germanic form would have been *ghoizdo-z, apparently from a root denoting "fury, anger", cognate to Sanskrit hedas "anger", reflected in Old Norse geisa "to rage". The Germanic word is recorded as masculine only, but likely continues a neuter s-stem. The original meaning of the Germanic word would thus have been an animating principle of the mind, in particular capable of excitation and fury (compare óðr). In Germanic paganism, "Germanic Mercury", and the later Odin, was at the same time the conductor of the dead and the "lord of fury" leading the Wild Hunt.

Besides denoting the human spirit or soul, both of the living and the deceased, the Old English word is used as a synonym of Latin spiritus also in the meaning of "breath, blast" from the earliest (9th century) attestations. It could also denote any good or evil spirit, i.e. angels and demons; the Anglo-Saxon gospel refers to the demonic possession of Matthew 12:43 as se unclæna gast. Also from the Old English period, the word could denote the spirit of God, viz. the "Holy Ghost". The now prevailing sense of "the soul of a deceased person, spoken of as appearing in a visible form" emerges in Middle English (14th century) only.

The synonym spook is a Dutch loanword, akin to Low German spôk (of uncertain etymology); it entered the English language via the United States in the 19th century. Alternate words in modern usage include spectre (from Latin spectrum), the Scottish wraith (of obscure origin), phantom (via French ultimately from Greek phantasma, compare fantasy) and apparition. The term shade in classical mythology translates Greek σκιά, or Latin umbra, in reference to the notion of spirits in the Greek underworld. "Haint" is a synonym for ghost used in regional English of the southern United States, and the "haint tale" is a common feature of southern oral and literary tradition. The term poltergeist is a German word, literally a "noisy ghost", for a spirit said to manifest itself by invisibly moving and influencing objects.

The word "ghost" may also refer to any spirit or demon.

A revenant is a deceased person returning from the dead to haunt the living, either as a disembodied ghost or alternatively as an animated ("undead") corpse. Also related is the concept of a fetch, the visible ghost or spirit of a person yet alive, a notion widespread in shamanistic cultures.

Common attributes

Another widespread belief concerning ghosts is that they were composed of a misty, airy, or subtle material. Anthropologists speculate that this may also stem from early beliefs that ghosts were the person within the person, most noticeable in ancient cultures as a person's breath, which upon exhaling in colder climates appears visibly as a white mist. This belief may have also fostered the metaphorical meaning of "breath" in certain languages, such as the Latin spiritus and the Greek pneuma, which by analogy became extended to mean the soul. In the Bible, God is depicted as animating Adam with a breath.

In many traditional accounts, ghosts were often thought to be deceased people looking for vengeance, or imprisoned on earth for bad things they did during life. The appearance of a ghost has often been regarded as an omen or portent of death. Seeing one's own ghostly double or "fetch" is a related omen of death.

White ladies were reported to appear in many rural areas, and supposed to have died tragically or suffered trauma in life. White Lady legends are found around the world. Common to many of them is the theme of losing or being betrayed by a husband or fiancé. They are often associated with an individual family line, as a harbinger of death. When one of these ghosts is seen it indicates that someone in the family is going to die, similar to a banshee.

Legends of ghost ships have existed since the 18th century; most notable of these is the Flying Dutchman. This theme has been used in literature in The Rime of the Ancient Mariner by Coleridge.

History

Antiquity

Further information: Shade (mythology)

King Hsuan (827-783 BC) according to Chinese legend executed his minister, Tu Po, on false charges even after being warned that Tu Po's ghost would seek revenge. Three years later, according to historical chronicles, Tu Po's ghost shot and killed Hsuan with a bow and arrow before an assembly of feudal lords. The Chinese philosopher, Mo Tzu (470-391 BC), is quoted as having commented:

"If from antiquity to the present, and since the beginning of man, there are men who have seen the bodies of ghosts and spirits and heard their voices, how can we say that they do not exist? If none have heard them and none have seen them, then how can we say they do? But those who deny the existence of the spirits say: "Many in the world have heard and seen something of ghosts and spirits. Since they vary in testimony, who are to be accepted as really having heard and seen them?" Mo Tzu said: As we are to rely on what many have jointly seen and what many have jointly heard, the case of Tu Po is to be accepted."

The Hebrew Torah and the Bible contain few references to ghosts, associating spiritism with forbidden occult activities cf. Deuteronomy 18:11. The most notable reference is in the First Book of Samuel (I Samuel 28:7-19 KJV), in which a disguised King Saul has the Witch of Endor summon the spirit of Samuel. In the New Testament, Jesus has to persuade the Disciples that he is not a ghost following the resurrection, Luke 24:37-39 (note that some versions of the Bible, such as the KJV and NKJV, use the term "spirit"). In a similar vein, Jesus' followers at first believe him to be a ghost (spirit) when they see him walking on water.

Ghosts appeared in Homer's Odyssey and Iliad, in which they were described as vanishing "as a vapor, gibbering and whining into the earth." Homer’s ghosts had little interaction with the world of the living. Periodically they were called upon to provide advice or prophecy, but they do not appear to be particularly feared. Ghosts in the classical world often appeared in the form of vapor or smoke, but at other times they were described as being substantial, appearing as they had been at the time of death, complete with the wounds that killed them.

By the 5th century BC, classical Greek ghosts had become haunting, frightening creatures who could work to either good or evil purposes. The spirit of the dead was believed to hover near the resting place of the corpse, and cemeteries were places the living avoided. The dead were to be ritually mourned through public ceremony, sacrifice and libations, or they might return to haunt their families. The ancient Greeks held annual feasts to honor and placate the spirits of the dead, to which the family ghosts were invited, and after which they were “firmly invited to leave until the same time next year”.

The 5th century BC play Oresteia contains one of the first ghosts to appear in a work of fiction.

The ancient Romans believed a ghost could be used to exact revenge on an enemy by scratching a curse on a piece of lead or pottery and placing it into a grave.

Plutarch, in the 1st century AD, described the haunting of the baths at Chaeronea by the ghost of a murdered man. The ghost’s loud and frightful groans caused the people of the town to seal up the doors of the building. Another celebrated account of a haunted house from the ancient classical world is given by Pliny the Younger (c. 50 AD). Pliny describes the haunting of a house in Athens by a ghost bound in chains. The hauntings ceased when the ghost's shackled skeleton was unearthed, and given a proper reburial. The writers Plautus and Lucian also wrote stories about haunted houses.

One of the first persons to express disbelief in ghosts was Lucian of Samosata in the 2nd century AD. In his tale "The Doubter" (circa 150 AD) he relates how Democritus "the learned man from Abdera in Thrace" lived in a tomb outside the city gates in order to prove that cemeteries were not haunted by the spirits of the departed. Lucian relates how he persisted in his disbelief despite practical jokes perpetrated by "some young men of Abdera" who dressed up in black robes with skull masks in order to give him a fright. This account by Lucian notes something about the popular classical expectation of how a ghost should look.

In the 5th century AD, the Christian priest Constantius of Lyon recorded an instance of the recurring theme of the improperly buried dead who come back to haunt the living, and who can only cease their haunting when their bones have been discovered and properly reburied.

Middle Ages

Ghosts reported in medieval Europe tended to fall into two categories: the souls of the dead, or demons. The souls of the dead returned for a specific purpose. Demonic ghosts were those which existed only to torment or tempt the living. The living could tell them apart by demanding their purpose in the name of Jesus Christ. The soul of a dead person would divulge their mission, while a demonic ghost would be banished at the sound of the Holy Name.

Most ghosts were souls assigned to Purgatory, condemned for a specific period to atone for their transgressions in life. Their penance was generally related to their sin. For example, the ghost of a man who had been abusive to his servants was condemned to tear off and swallow bits of his own tongue; the ghost of another man, who had neglected to leave his cloak to the poor, was condemned to wear the cloak, now "heavy as a church tower". These ghosts appeared to the living to ask for prayers to end their suffering. Other dead souls returned to urge the living to confess their sins before their own deaths.

Medieval European ghosts were more substantial than ghosts described in the Victorian age, and there are accounts of ghosts being wrestled with and physically restrained until a priest could arrive to hear its confession. Some were less solid, and could move through walls. Often they were described as paler and sadder versions of the person they had been while alive, and dressed in tattered gray rags. The vast majority of reported sightings were male.

There were some reported cases of ghostly armies, fighting battles at night in the forest, or in the remains of an Iron Age hillfort, as at Wandlebury, near Cambridge, England. Living knights were sometimes challenged to single combat by phantom knights, which vanished when defeated.

From the medieval period an apparition of a ghost is recorded from 1211, at the time of the Albigensian Crusade. Gervase of Tilbury, Marshal of Arles, wrote that the image of Guilhem, a boy recently murdered in the forest, appeared in his cousin's home in Beaucaire, near Avignon. This series of "visits" lasted all of the summer. Through his cousin, who spoke for him, the boy allegedly held conversations with anyone who wished, until the local priest requested to speak to the boy directly, leading to an extended disquisition on theology. The boy narrated the trauma of death and the unhappiness of his fellow souls in Purgatory, and reported that God was most pleased with the ongoing Crusade against the Cathar heretics, launched three years earlier. The time of the Albigensian Crusade in southern France was marked by intense and prolonged warfare, this constant bloodshed and dislocation of populations being the context for these reported visits by the murdered boy.

Haunted houses are featured in the 9th century Arabian Nights (such as the tale of Ali the Cairene and the Haunted House in Baghdad).

Renaissance to Romanticism

John Dee and Edward Kelley evoking a spirit

Renaissance magic took a revived interest in the occult, including necromancy. The Child ballad Sweet William's Ghost (1868) recounts the story of a ghost returning to beg a woman to free him from his promise to marry her, as he obviously cannot being dead; her refusal would mean his damnation. This reflects a popular British belief that the dead would haunt their lovers if they took up with a new love without some formal release. The Unquiet Grave expresses a belief even more widespread, found in various locations over Europe: ghosts can stem from the excessive grief of the living, whose mourning interferes with the dead's peaceful rest. In many folktales from around the world, the hero arranges for the burial of a dead man. Soon after, he gains a companion who aids him and, in the end, the hero's companion reveals that he is in fact the dead man. Instances of this include the Italian fairy tale Fair Brow and the Swedish The Bird 'Grip'.

Modern period

In 1848, the Fox sisters of Hydesville, New York claimed to have communication with the disembodied spirits of the dead and launched the Spiritualist movement, which claimed many adherents in the nineteenth century.

The rise of Spiritualism saw an increase in popular interest in the supernatural. Books on the supernatural were published for the growing middle class, such as 1852’s Mysteries, by Charles Elliott, which contains “sketches of spirits and spiritual things”, including accounts of the Salem witch trials, the Cock Lane Ghost, and the Rochester Rappings. The Night Side of Nature, by Catherine Crowe, published in 1853, provided definitions and accounts of wraiths, doppelgangers, apparitions and haunted houses. Spiritualist organizations were formed in America and Europe, such as the London Spiritualist Alliance, which published a newspaper called The Light, featuring articles such as “Evenings at Home in Spiritual Séance”, “Ghosts in Africa” and “Chronicles of Spirit Photography”, advertisements for "mesmerists” and patent medicines, and letters from readers about personal contact with ghosts. Mainstream newspapers treated stories of ghosts and haunting as they would any other news story. An account in the Chicago Daily Tribune in 1891, "sufficiently bloody to suit the most fastidious taste", tells of a house believed haunted by the ghosts of three murder victims seeking revenge against their killer’s son, who was eventually driven insane. Many families, “having no faith in ghosts”, thereafter moved into the house, but all soon moved out again.

The claims of spiritualists and others as to the reality of ghosts were investigated by the Society for Psychical Research, founded in London in 1882. The Society set up a Committee on Haunted Houses and a Literary Committee which looked at the literature on the subject. Apparitions of the recently deceased, at the moment of their death, to their friends and relations, were very commonly reported. One celebrated example was the strange appearance of Vice-Admiral Sir George Tryon, walking through the drawing room of his family home in Eaton Square, London, looking straight ahead, without exchanging a word to anyone, in front of several guests at a party being given by his wife on 22 June 1893 whilst he was supposed to be in a ship of the Mediterranean Squadron, manoeuvering off the coast of Syria. Subsequently it was reported that he had gone down with his ship, the HMS Victoria, that very same night, after it had collided with the HMS Camperdown following an unexplained and bizarre order to turn the ship in the direction of the other vessel. Such crisis apparitions have received serious study by parapsychologists with various explanations given to account for them, including telepathy, as well as the traditional view that they represent disembodied spirits.

Summoning or exorcising the shades of the departed is an item of belief and religious practice for spiritualists and practitioners of ritual magic. The Spiritism of the 19th century has exerted a lasting influence on the Western perception of ghosts. Spiritist séances together with pseudoscientific explanations like ectoplasm and spirit photography appeared to give a quality of scientific method to apparitions. Such approaches to the "paranormal" have become a familiar topos in Western popular culture. The Ghost Club, founded in London in 1862, was an early "ghost hunting" organization. Famous members of the club have included Charles Dickens, Sir William Crookes, Sir William Fletcher Barrett and Harry Price.

According to a poll conducted in 2005 by the Gallup Organization about 32% of Americans "believe in the existence of ghosts.

SPIRITS

The English word "spirit" has many differing meanings and connotations, but commonly refers to a supernatural being or essence — transcendent and therefore metaphysical in its nature: the Concise Oxford Dictionary defines it as "the non-physical part of a person". For many people, however, spirit, like soul, forms a natural part of a being: such people may identify spirit with mind, or with consciousness, or with the brain.

Metaphysical and metaphorical uses

English-speakers use the word "spirit" in two related contexts, one metaphysical and the other metaphorical.

Metaphysical contexts

In metaphysical terms, "spirit" has acquired a number of meanings:

1. An incorporeal but ubiquitous, non-quantifiable substance or energy present individually in all living things. Unlike the concept of souls (often regarded as eternal and usually believed to pre-exist the body) a spirit develops and grows as an integral aspect of a living being.^{[citation needed]} This concept of the individual spirit occurs commonly in animism. Note the distinction between this concept of spirit and that of the pre-existing or eternal soul: belief in souls occurs specifically and far less commonly, particularly in traditional societies. One might more properly term this type/aspect of spirit "life" (bios in Greek) or "ether" rather than "spirit" (pneuma in Greek).
2. A daemon sprite, or especially a ghost. People usually conceive of a ghost as a wandering spirit from a being no longer living, having survived the death of the body yet maintaining at least vestiges of mind and of consciousness.
3. In religion and spirituality, the respiration of the human being has for obvious reasons become seen as strongly linked with the very occurrence of life. A similar significance has become attached to human blood. Spirit in this sense denotes that which separates a living body from a corpse — and usually implies intelligence, consciousness and sentience.
4. Various animistic religions, such as Japan's Shinto and various Native American and African tribal beliefs, focus around invisible beings which represent or connect with plants, animals (sometimes called "Animal Fathers"), or landforms; translators usually employ the English word "spirit" when trying to express the idea of such entities.
5. Individual spirits envisaged as interconnected with all other spirits and with "The Spirit" (singular and capitalized). This concept relates to theories of a unified spirituality, to universal consciousness and to some concepts of Deity. In this scenario all separate "spirits", when connected, form a greater unity, the Spirit, which has an identity separate from its elements plus a consciousness and intellect greater than its elements; an ultimate, unified, non-dual awareness or force of life combining or transcending all individual units of consciousness. The experience of such a connection can become a primary basis for spiritual belief. The term spirit occurs in this sense in (to name but a few) Anthroposophy, Aurobindo, A Course In Miracles, Hegel, and Ken Wilber. In this use, the term seems conceptually identical to Plotinus's "The One" and Friedrich Schelling's "Absolute". Similarly, according to the panentheistic/pantheistic view, Spirit equates to essence that can manifest itself as mind/soul through any level in pantheistic hierarchy/holarchy, such as through a mind/soul of a single cell (with very primitive, elemental consciousness), or through a human or animal mind/soul (with consciousness on a level of organic synergy of an individual human/animal), or through a (superior) mind/soul with synergetically extremely complex/sophisticated consciousness of whole galaxies involving all sub-levels, all emanating (since the superior mind/soul operates non-dimensionally, or trans-dimensionally) from the one Spirit.
6. Christian theology can use the term "Spirit" to describe God, or aspects of God — as in the "Holy Spirit", referring to a Triune God (Trinity): "The result of God reaching to man by the Father as the source, the Son as the course ('the Way'), and through the Spirit as the transmission"^{[cite this quote]}.
7. In (popular) theological terms, the individual human "spirit" (singular, lowercase) is a deeply situated aspect of the soul^{[citation needed]} subject to "spiritual" growth and change; the very seat of emotion and desire, and the transmitting organ by which human beings can contact God. In a rare theological definition it consists of higher consciousness enclosing the soul.^{[citation needed]} "Spirit" forms a central concept in pneumatology (note that pneumatology studies "pneuma" (Greek for "spirit") not "psyche" (Greek for "soul" — as studied in psychology).
8. Christian Science uses "Spirit" as one of the seven synonyms for God, as in: "Principle; Mind; Soul; Spirit; Life; Truth; Love"
9. Harmonism reserves the term "spirit" for those which collectively control and influence an individual from the realm of the mind.

Metaphorical usage

The metaphorical use of the term likewise groups several related meanings:

1. The loyalty and feeling of inclusion in the social history or collective essence of an institution or group, such as in school spirit or esprit de corps.
2. A closely related meaning refers to the worldview of a person, place, or time, as in "The Declaration of Independence was written in the spirit of John Locke and his notions of liberty", or the term zeitgeist, meaning "spirit of the age".
3. As a synonym for "vivacity" as in "She performed the piece with spirit" or "She put up a spirited defense".
4. The underlying intention of a text as distinguished from its literal meaning, especially in law; see Letter and spirit of the law
5. As a term for alcoholic beverages — stemming from medieval superstitions that explained the effects of alcohol as demonic activity.
6. In mysticism: existence in unity with Godhead. Soul may also equate with spirit, but the soul involves certain individual human consciousness, while spirit comes from beyond that. Compare the psychological teaching of Al-Ghazali.

DEMONS

St. Anthony plagued by demons, as imagined by Martin Schongauer, in the 1480s.

In religion, folklore, and mythology a demon (or daemon, dæmon, daimon from Greek: δαίμων daimōn) is a supernatural being that is generally described as a malevolent spirit. In Christian terms demons are generally understood as fallen angels, formerly of God. A demon is frequently depicted as a force that may be conjured and insecurely controlled. The "good" demon in recent use is largely a literary device (e.g., Maxwell's demon), though references to good demons can be found in Hesiod and Shakespeare. In colloquial parlance, to "demonize" a person means to characterize or portray them as evil, or as a source of evil. The mythical Sweeney Todd was accorded the title Demon Barber of Fleet Street in a 1936 film. The 19th-century Australian cricketer Fred Spofforth was nicknamed "the Demon (Bowler)", partly because of his tactic of inspiring fear in batsmen.

HISTORY

The Greek conception of a daemon (< δαίμων daimōn) appears in the works of Plato and many other ancient authors, but without the evil connotations apparent in the Septuagint translation of the Hebrew Bible and in the Greek originals of the New Testament. The medieval and neo-medieval conception of a "demon" in Western civilization (see the Medieval grimoire called the Ars Goetia) derives seamlessly from the ambient popular culture of Late (Roman) Antiquity. Greco-Roman concepts of daemons that passed into Christian culture are discussed in the entry daemon, though it should be duly noted that the term referred only to a spiritual force, not a malevolent supernatural being. The Hellenistic "daemon" eventually came to include many Semitic and Near Eastern gods as evaluated by Christianity.

The supposed existence of demons is an important concept in many modern religions and occultist traditions. In some present-day cultures, demons are still feared in popular superstition, largely due to their alleged power to possess living creatures.

In the contemporary Western occultist tradition (perhaps epitomized by the work of Aleister Crowley), a demon, such as Choronzon, the "Demon of the Abyss", is a useful metaphor for certain inner psychological processes, though some may also regard it as an objectively real phenomenon.

Some scholars believe that large portions of the demonology (see Asmodai) of Judaism, a key influence on Christianity and Islam, originated in Zoroastrianism, and were transferred to Judaism during the Persian era.

Christianity

Building upon the few references to daemons in the New Testament, especially the visionary poetry of the Apocalypse of John, Christian writers of apocrypha from the 2nd century onwards created a more complicated tapestry of beliefs about "demons" that was largely independent of Christian scripture.

Origin

According to the Bible, the fall of the Adversary is portrayed in Isaiah 14:12-14 and Ezekiel 28:12-19. However, the connection between Isaiah 14:12-14 and the fall is mostly based on mistranslation and tradition. The King James Version (KJV), popular among most Christian sects, reads:

"How art thou fallen from heaven, O Lucifer, son of the morning! [how] art thou cut down to the ground, which didst weaken the nations! For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north: I will ascend above the heights of the clouds; I will be like the most High" (Isaiah 14:12:-14).

The word "Lucifer" was inspired by the Latin Vulgate, a translation that the authors of the KJV adhered to in several occasions to elucidate Christian traditions (see KJV, "The Project"). Lucifer is a Latin word meaning "light-bearer" (from lux, lucis, "light", and ferre, "to bear, bring"), a Roman astrological term for the "Morning Star", the planet Venus. The word Lucifer was the direct translation of the Septuagint Greek heosphoros, ("dawn-bearer"); (cf. Greek phosphoros, "light-bearer") and the Hebrew Helel, ("Bright one"). The word does not specifically refer to Satan. To the contrary, in context, Isaiah 14:12-14 actually refers to one of the popular honorific titles of a Babylonian king (see Isaiah 14:4 for context); however, later interpretations of the text, and the influence of embellishments in works such as Dante's The Divine Comedy and Milton's Paradise Lost, led to the common idea in Christian mythology and folklore that Lucifer was a poetic appellation of Satan (see Lucifer for more information).

Ezekiel 28:12-19, in context, refers to the King of Tyrus (see Ezekiel 28:2 for context). The passage, however, is popularly attributed as a reference to, or allegory of, Satan, and even by some commentators, an allegory of the fall of Adam.

Many Christian teachings are built upon later Jewish traditions that the Adversary and the Adversary's host declared war with God, but that God's army, commanded by the archangel Michael, defeated the rebels. Their defeat was never in question, since God is by nature omnipotent, but Michael was given the honour of victory in the natural order; thus the rise of Christian veneration of the archangel Michael, beginning at Monte Gargano in 493, reflects the full incorporation of demons into Christianity.

According to tradition, God then cast God's enemies from Heaven to the abyss, into a newly created prison called Hell, where all God's enemies should be sentenced to an eternal existence of pain and misery. This pain is not all physical; for their crimes, these angels, now called demons, would be deprived of the sight of God, this being the worst possible punishment.

An indefinite time later (some biblical scholars believe that the angels fell sometime after the creation of living things), when God created the earth and life, the Adversary and the other demons were allowed to tempt humans or induce them to sin by other means. The first time the Adversary did this was as a serpent in the earthly paradise called the "Garden of Eden" to tempt Eve, who became deceived by Satan's evil trickery. Eve then gave Adam some of the forbidden fruit and both of their eyes were opened to the knowledge of good and evil.

CLASSMATES:

christian

chesa

diana

anna

john michael

meyer

pj

charles

WEBSITES:

yahoo

google